No 'keel to breakers' or 'bellied canvas'
just a rusted-out royal blue detroit prairie schooner
bald uniroyals on pavement.
Goodby Mary Baker Eddy's
concrete tit
steeples, spires
seabirds and city lights
cream-pie and baked beans
sex, son of sam
on the cross bronx expressway
noise, gritty teeth and nose
coffee, chess
and King Kong.
No sooner had the taste of the last steamed crab
melted on our tongues like the late summer day
than the tired Applachians receded in the distance
another uprooted memory.
Pizza parlors
Dairy-Queens
suburban sprawl
patios, pools
better homes and gardens
fences spreading out
vivsecting the billowing land
containing the cows
and rendering finite the infinite fields.
From our swart ship, the past bobbing in a wake of mile markers
guzzling coffee while an epic pauses long enough to note
the fertile decay and moist ferment of the new season.
Ken Beck
10-27-1977
A Webinovel. An experimental form, an exploration of the intersection between memoir and fiction. An attempt to invert the psychological problem with memoir - that it is inherently dishonest - by acknowledging that it is inherently fiction. In other words: any similarity to persons living or dead is purely coincidental, but everyone knows that Dean Moriarty was Neal Cassady.
Note to Readers
Note to Readers:
Those of you who've read this in earlier formats had to scroll back in time to reach the beginning. No longer! The work is organized to read from top to bottom, as an ordinary novel would. The archive is also time inverted, which means it seems as though the work was written in reverse. Neat trick, dude! This allows the archive to be used in a top to bottom format.
Those of you who've read this in earlier formats had to scroll back in time to reach the beginning. No longer! The work is organized to read from top to bottom, as an ordinary novel would. The archive is also time inverted, which means it seems as though the work was written in reverse. Neat trick, dude! This allows the archive to be used in a top to bottom format.